Visit a monkey in the tree of his life
He doesn't eat the fruit before it is ripe
When the sugar turns to alcohol
He shares his crop with one and all

The alcoholic tangerines are free
The alcoholic tangerines for you
The alcoholic tangerines for me

Monday, January 30, 2012

Air Show

The residents of Chicago’s north side

Gather in thousands on the stepped rocks
Which form the western coast of Lake Michigan.

The bright sky is a perfect frame
For the airplanes that will spend the next hours
Cruising up and down the coast,
Displaying the prowess of human technology.

As I stand among the milling thousands,
Joggers, bikers, and rollerbladers flow past me.
I wonder, is it like this with the walruses?
Do the caribou gather similarly at the river’s edge?
Are the penguins festive in their tuxedos
Among the rocks and sprays of mist?

Look what nature has made!
Consider the beautiful bipeds
Who populate this place.
The sleek green grass,
The sky-scrapers,
The planes and boats and trees;
All are manifestations of a single nature.

There are children crying beautifully
In their bright clothes,
With bright sherbet smeared
Over their beautiful faces.

We hear the whine of the single engines.
Five winged biplanes parade past in formation,
Bright scarves of smoke trailing behind them.

Off shore the water is filled with boats and crafts.
Jet skiers dip between the rocks near shore.
The sunbather’s pink lip gloss
Beacons my attention to her beauty,
Outstanding against the bright blue water.

Later the jet fighters take the stage.
We cannot hear them approach.
They flash by with a deafening boom,
So low the water is seared smooth beneath them.

As the sun looms low behind the city,
The air begins to team with swallows
And dragonflies who gather to feed
At the edge of the lake.

At one spot they are thick around our heads.
Buzzing and roaring past,
The wings of the huge insects shimmer
And whir past me in red and purple smudges.

I swear some of them have on pilot’s goggles
And wear little leather helmets over their interiors.
They buzz loud around me,
Zipping past at astonishing speeds.

The swallows are stealthy and full of verve.
They swoosh and circle in brown blurs.
They look small and fat in the air.
I do not know why they can fly at all,
Like winged puffer fish bobbing in the breeze.

Now colors begin to rise on the eastern horizon.
Bright oranges and reds spread in a slow explosion.
As the sun falls down behind us
Colors deepen and rise in violet over the lake.

At dusk I return from the water’s edge.
All the children are dirty and thirsty.
The breeze blows warm between the thousands
Who meander back to their apartments.

Thursday, January 5, 2012

Cleopatra and the Clown



                         1.
Procrastination saved my life, or--
There's nothing more pathetic
Than a procrastinating suicide

We'll either do it or we wont
But the depressing thing is
Every possible method has been done
And done to death.

Our suicide says nothing
Our attempt to stylize our death is meaningless
Our attempt to get the timing right
To execute the details
Causes us to delay and say:

If it were only 1850 again
And a romantic suicide were still possible
If only the motivations were still pure and honorable
Like they were for Tchaikovsky
Whose homosexuality and deep melancholia
His creative genius and his bad forced marriage
Swirled together a tortured brine
In the river of his mind

Who can imagine this scene without the theme
To Romeo and Juliet?
As Tchaikovsky wades out into the freezing torrent
His large muscular wife striding after him
And fishing his skinny ass out by the trousers
She pulled him back and made him live
Wouldn't let him go.

But eventually some years later
Death and Tchaikovsky found each other
After a second attempted drowning failed similarly
He contracted cholera and went out on his back.

Even in the modern era
An artistic suicide was still possible
Vachel Lindsay reaching for a bottle of lye
And drinking it down.
A horrible death. Unimaginable suffering.
His poems out of style, himself defenseless
Against criticism and poverty which is criticism.
A country bumpkin in an urbane era
What it must have been like to realize
That no one cared about your work
Or about your lifetime that you spent
Singing and preaching the gospel of beauty
To an ugly generation.

By the sixties Hemmingway's suicide
Had taken years to accomplish
When his bottle of gin was no longer accommodating
His favorite shotgun was.

Whatever else can be said
A shotgun suicide is at least not vain
Harboring no pretension concerning
The state of one's corpse
But every suicidal artist is finally
A variation on the theme of Thomas Chatterton
Whose suicide by arsenic in 1770
Accomplished the goal of all his plagiarists,
That is, he shamed his society
Into an admission of guilt.
Into an acknowledgment,
Not that the artist has trouble adjusting
To the way the world is
But that the act of adjusting to the world
Requires a sacrifice that some are unwilling to make
And those of you who have made it should be ashamed
Of what you've become.

The boy Chatterton just eighteen when he died
In desperate poverty
Being ripped off by his publishers
Literally starving, he finally spent his last pennies
On the poison that killed him.

                       2.

“The dead are just dead,”
My friend Harry Haller used to say,
“The real suicides are the living,
For whom the thought of death is a continual comfort
The suicide knows death is available to him
If he turns the knob and opens the door.”

But what is behind the door?
No one can say
And the finality of the thing
And the mess we would leave behind
The financial mess and the moral mess
And those who would be inconvenienced
By the bloated corpse of it all

The image of the Mexican steel worker
Crazed with jealousy
Who drove his wife at knife point to the mill
Embracing her he jumped into the smelting furnace
With its radiant molten ore
A leaping flame
A brief puff of steam
And a steel a little richer in carbon
Than the engineers had intended

One possible definition of living
Is putting off death for another day.
Each breath pushes death back a step
Into the future.


                   3.

In the garden at night
A young man in anguish
Sweating big drops of blood
Prays while others sleep

What is the source of his conflict?
His spirit at war with the will of his flesh
The flesh that wanted to live on
To bib wine and eat great portions
Against the gnosis of his father's will for him--
His conscious choice of death

And who can guess the motivation of his betrayer?
Who spent the silver pieces on a bit of land
On which to wring his neck and spill his guts.

An old man centuries earlier could have escaped
The death proportioned for him.
His friends had made everything ready
A prison guard could easily be bribed
A boat was ready to whisk him away
Under cloak of darkness

But he preferred a dignified death
To an undignified life
Though his arguments ring hollow
And tinny to our ears
For his gift was not reasoned argument
But rank stubbornness
He drank the hemlock and paced
The floor of his cell
Until he went cold

                           4.

“A gift of figs I bring,” the Clown said to the queen.
And in the basket find a remedy
For her who asked of the physician
An easy way to die.”

“Put your basket down,” said Cleopatra to the clown.
“The gift of figs you leave with Aspic venom found
Whose bite will leave no mark upon my breast or wrist
Whose kiss will leave the bloom of death cold upon my cheek.”

Friday, December 30, 2011

Akin to wedding


Akin to Wedding

In the future it is customary
To have an elegant death
A ceremony akin to wedding
Live with colors and flowers

You will be old
Aging will be much harder
If you are beautiful

Beauty does not fade in the future
Until just before your ceremony
When your friends will gather
To see you peeled naked of beauty
And prosthetics

The veil is torn
You are stripped of vanity
A naked cavity
Your body is a withered flower
Everyone will smell your odor

What created you out of itself
Has been waiting to absorb you

You are broken like a sacrament
Your family cries in a circle
The wind chimes wretched with violin
You draw the heavy breath of ritual

You will recognize yourself in the dirt
You will recognize the animal
That you are

You will find beauty in the eyes of that animal
You will slide from yourself into that beauty
Butterflies will dress your body

Thursday, December 15, 2011

Does Basketball Have a God?

On the playground, the men laugh and swear.
A young man receives the object.
With half a frown he takes the long shot.
His opponents scoff as the ball sails,
Careening down the back of the net.
Back-peddling, the man scowls to cover his pride.
Later he says, “It seems to go back and forth that way.”

A small boy waits just outside the base line,
As the men finish their game he asks,
“How’s come the really close shots always rattle out,
But the bad shots seem to bounce in?”
All the men stop and look
As if he had said something very profound.
After a few seconds the boy’s father says,
“If it hits the rim, it’s your own fault.
Try to never hit the rim.”

The sweaty guard attends the game.
The shooter sees his pass before it is made.
A quick flick, and the ball carves a curve to the goal.
At a time-out, they meet to slap hands.
“You are a creator,” says the shooter.
“And you a prophet,” answers the guard.

The long black man attends the game.
Palms up with wide open eyes.
Neatly extending he snags the ball.
“Mine,” he smiles as the nine race back.
A minute later he slaps a poor shot
To the hungry crowd.
Raising a clinched fist he shouts,
“I am the judge.”

At the line of judgment they all pay homage.
One man mumbles superstitiously.
Another pounds the ball against the floor in ritual,
So he will not forget.
After, one lifts his eyes in thanksgiving.
The other recoils with shame,
His offering rejected.

“Basketball is a discipline,” says the manic coach.
“And we are its disciples.
Are your feet shoulder width apart?
Does your elbow follow your wrist in a vertical line?”
Now he watches the skinny boys practice,
Smiling with a far away look he says,
“When they move like the fingers of a hand,
As if with one mind, one purpose,
It’s so beautiful.”
As he speaks, white froth shows in the corners of his mouth.

“I can smell the popcorn, too,”
Says the blind man in the front row.
“I feel it when the object thumps the wood.
I can hear each squeak and tweet.”
Behind him, the ocean pours a wave onto the floor.
As it washes over him, he finds himself standing,
Adding his voice to theirs:

In the final second a whistle has sounded.
The smallest man steps to the line.
On the left, the crowd hollers and waves its hands frantically.
They pound their feet against the bleachers.
On the right the crowd sits silently,
Waiting.

Later, as we linger in the dispersing crowd,
I ask the blind man,
“How is it that a shot can graze the very inside edge of the rim,
And find it’s way out?  Or it might smack the rim dead on
And ricochet through the hoop?”
Then the blind man laughs, and he says to me,
“Do you understand, ‘Art is Imitation?’
The bards of basketball don’t fling their shots,
They let their wrists recite from memory.”

Monday, December 12, 2011

What the City Eats



The city eats whatever it can catch:

Rats and cats
Crashed cars, garbage and sewage

The city relishes poisoned pigeons
And baby gulls that fall out
From the bottoms of highways

An old building groans
Like an elk taken by wolves
It teeters and creeks and throwing it’s head back
Crashes into the dust

Old people break like eggs when they fall
The yolk seeps between cracks in the sidewalk
Their shells are trampled by the young

 The city is fat with metal and brick
And bone and blood and glass

Newspaper sticks between
The city’s chain-linked teeth

The rain rinses silt from the street
Parched gutters gulp the dirty water
Into its concrete underbelly

Machines strip the salted streets
As the city sheds its skin

Tar and gravel in the gullet
Aid in its digestion

Friday, November 18, 2011

-The Mind Food Brain Maintenance Tool Kit-


-The Mind Food Brain Maintenance Tool Kit-

Volume 1: Nicotine Cures Alsheimers
* This poem is not intended to prevent or cure any disease or illness.
**These statements have not been evaluated by the FDA.

Your mind is in your hands.
Studies show that an active mind is a healthy mind.

In double blind studies
Laboratory raccoons who were genetically pre-conditioned
to develop Alsheimers were twice as likely to enjoy
Nicotine as non-demented control animals.

Lab tests prove a demented raccoon quickly learns
To roll its own cigarettes but it can't flick its bic,

Only a wooden match will suffice
As paper ones don't work in their little hands.

The study also shows demented raccoons roll
Twice as quickly as their non demented counterparts.

Startling results from hippocampal and amygdala dependant
Learning tests prove submerged demented raccoons
Had only 80% of the normal tau protiens
Of their unsubmerged non-demented cousins.

They displayed tangled clumps of tau proteins
And hyperphosphorlylated tau strands
Causing their neurons to become diseased.

Healthy Neuron                                                                Diseased Neuron
These results show that nicotine prevented the
Neurofibrillary tangles which cause memory loss
In demented raccoons, while improving short term spatial memory
In non demented control   animals.

Thursday, November 3, 2011

                                                        Modern Poem

Today this poem fell out of my nose
Stopping a nostril with a thumb
I blurted it out onto the page

It’s trying to impress you
Like a coconut against your skull

Perhaps you could crack it
And suck out its glowing milk of life
But it will crack you first

                                          It needs to be ironic\
                                                                                     \
                        (Perhaps you should feel sorry for it)         \
                                                                                                     \About what it isn’t sure

Its tone is so amiable (and humble) that you can’t help admiring it

It wants to be an atomic bubonic bannana-fanna-fo-phonic
language poem

But it still can’t decide if it should try to mean
Or just be

Now its got an idea:
There is a white clothesline outside of a red barn
And its got some white chickens on it strung upside down squawking prophecies
And a shiny red convertible wheelbarrow glazed with rain water that so much depends Upon is driving back and forth over the broken glass of society and your life
And all of nature trying to catch the feathers

And can’t you sense the chaos?
The inevitable dialectic
Shaking the white clothesline of consciousness in an ironic earthquake?
And all those prophetic chickens, strung upside-down, bobbing like piƱatas?