The flappers and the jitterbugs
The beatniks and hippies never die.
The rockers and grungers speak nothing
of the wars
Interrupting our good time
Meaningless things, wars
In which nothing happens really
But you can feel it when a war ends
And the music can continue
After World War One
The survivors of that war became the
first generation
Of Americans to do it in the back of an
automobile.
Perhaps it was the sex lessons they'd
learned in Europe
That led to the American sexual
revolution of the twenties.
(Thousands of them returned from the
war with VD
after being encouraged by their moral
government
to not use condoms, because,
what could be worse than
contraception?)
Time passes
And face paint hair band rock and roll
Becomes the turgid flannel and corduroy
of grunge
But say something about marijuana
How it sneaked itself into white
American culture
Disguised as Jazz
White kids listening to Gene Croupa
The drummer of a Negro band
The first white person ever charged
With possession of pot in 1938
Devil music they called it.
Ecstatic energetic multi-cultural
vibrations
Intoning fierce emotive dancing and
rhythm
Shocking to puritans
Frightening to moralists who were sure
That swing signified the beginning
Of the decay of American culture:
“The family system will disappear,”
they said
“Society, sapped at its very base
Will have to find new foundations,
And Eros, beautifully and irresponsibly
free
Will flit like a gay butterfly from
flower to flower
Through a sunlit world1”
Those moralists were right all along
The jitterbug craziness the ecstasy and
dementia
The refer madness (the poem pauses
while I
crash through the window and fall out
onto the street)
In the nineties kids were cool
We were stoned beautifully and there
can be
No status among the equally beautiful
All very confusing for young women of
common sense
For if there is no status among young
men
How is a girl supposed to know who to
mate with?
Perhaps she should just sample us all
and then choose
Her- mother- said- to- choose- the-
very- best- one-
And-you- are- not- it
A kid today has a different bent
He's a straight edged non-drinking
non-smoking ass kicker
Whose greatest vice and outpouring of
spirit is his violence
And his willingness to repeatedly fall
off of a skateboard
Breaking his ankles and cracking his
head on a plywood ramp
He tells stories about getting kicked
in the face at the metal concert
And relishes the pain of tattooing and
piercing and cutting and scarring
Pain is what galvanizes his memory to
the moment of life
He loves pain, and so the decadent
hedonism of my generation
Has become the masochism and asceticism
of his
And what can we say about the movement
between the decades
The different faces, the masks of the
American spirit?
Perhaps one cannot participate in the
emerging incarnation
Without completely disconnecting with
the past
As though an awareness of the past
disqualifies us
From participating in what is new.
1The
moralist is quoted from Aldous Huxley's Chrome Yellow
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